https://vincentadeyemo.com Vincent Adeyemo Mon, 07 Nov 2022 22:06:41 +0000 https://vincentadeyemo.com en https://vincentadeyemo.com/HOME Thu, 12 Aug 2021 09:27:49 +0000 Vincent Adeyemo https://vincentadeyemo.com/HOME 2019 FIELDGUIDE: THE AUTOMATION CITY (PART I) FIELDSTATION 2020 LANDSCAPES OF EXPLOITATION COMPUTATION & MATERIALITY: ARTIFICIAL LANDSCAPES 2020 SAM-217CINEMATIC ARCHITECTURE (ELECTIVE) 2019 AUTOMATION REHABFIELDSTATION 2019 BOLT RUINLP COVER WIP BOLT RUIN LP COVER 2021 RUA DA SAUDADE 238, AN IMAGINARY PLACE FOR REMEMBRANCE THE DRAWING AND THE SPACE 2022 https://vincentadeyemo.com/landscapes_of_exploitation Thu, 12 Aug 2021 11:14:06 +0000 Vincent Adeyemo https://vincentadeyemo.com/landscapes_of_exploitation Landscapes of Exploitation models resource extraction through the interaction between terrains, agents and environmental simulations. Programs used Blender processing PremierA film produced by Iben Devoldere, Alphonse Vermeulen, Christophe Vandenbemden and Vincent Adeyemo for the Computation && Materiality: Artificial Landscapes which is part Fieldstation studio 2021 initiated by Corneel Cannaerts at the faculty of architecture KU Leuven in Ghent. https://vincentadeyemo.com/fieldguide Thu, 12 Aug 2021 19:53:01 +0000 Vincent Adeyemo https://vincentadeyemo.com/fieldguide Automation city is a result of our research which started with a mind map of references. Diving into this matter, we asked ourselves where automation in a city will lead? What kind of scenarios would this bring to existing urban fabrics, and which conflicts could this produce? We gathered the references into a mind map and grouped them by the nature of the subject. While doing this, we started making small speculative concept sketches that made connections in-between these groups. By reiterating this process, these concept sketches became hybrids fusing our imagination with the gathered information. In this process of putting two hybrids next to each other, a new one emerges. Using this mind map as a tool and combining these small hybrids, a futuristic city arises, becoming a big hybrid. This city is a result of repeated reflection and speculation. It doesn’t form a utopic nor a dystopic image but rather a heterotopia. The city is a hybrid of individual opinions, which results in an unbiased representation of a city. Programs used Blender Photoshop After effects Indesign A film produced by Arne Millisen, Ferre Vander elst, Brecht Beddeleem and Vincent Adeyemo for the Fieldstation studio 2020 initiated by Corneel Cannaerts & Michiel Helbig at the faculty of architecture KU Leuven in Ghent. https://vincentadeyemo.com/SAM-217-1 Thu, 12 Aug 2021 19:58:04 +0000 Vincent Adeyemo https://vincentadeyemo.com/SAM-217-1 This movie is a mapping by the drone called 'SAM-217' through a stacked heterotopia in the near future. The name SAM stands for scanning, archiving, and mapping. In this story, SAM tries to capture everything he encounters on its path by using the rapidly evolving technology of scanning and photogrammetry. Scouring the bottom layer we live on today, just as Google maps, it tries to capture as much as possible. In this stacked heterotopia, the current way of documenting the landscape like google would not work. Together with the other SAMs, he can scan and document a lot of data at one glance with its different kinds of lenses. Like sedimentologists, they document everything on the street that gets sifted down from the above layers. It ranges from dirt to floating around data and e-waste. Just as a sedimentologist can read a section of a rock formation, this data will show the history of this future world. Through the opinionless eyes of the machine, the viewer investigates this future world and what a layered city can bring with it. The robot makes us the viewer, the protagonist in the movie. Through all the dry data passing through the machine's processor, we can see a few narratives unfold.  Programs used After Effects Premiere Blender Ableton Photoshop Illustrator A film produced by Eveline Achten, Manon Persoone and Vincent Adeyemo for the elective Cinematic Architecture 2020 at the faculty of architecture KU Leuven in Ghent. Models by Eveline Achten and Manon PersooneVFX, video editing by Vincent AdeyemoSound design by Jennifur also know as Hector Devriendt https://vincentadeyemo.com/automation_rehab Thu, 12 Aug 2021 21:11:47 +0000 Vincent Adeyemo https://vincentadeyemo.com/automation_rehab Automation city is a result of our research which started with a mind map of references. Diving into this matter, we asked ourselves where automation in a city will lead? What kind of scenarios would this bring to existing urban fabrics, and which conflicts could this produce? We gathered the references into a mind map and grouped them by the nature of the subject. While doing this, we started making small speculative concept sketches that made connections in-between these groups. By reiterating this process, these concept sketches became hybrids fusing our imagination with the gathered information. In this process of putting two hybrids next to each other, a new one emerges. Using this mind map as a tool and combining these small hybrids, a futuristic city arises, becoming a big hybrid. This city is a result of repeated reflection and speculation. It doesn’t form a utopic nor a dystopic image but rather a heterotopia. The city is a hybrid of individual opinions, which results in an unbiased representation of a city. Programs used Blender Photoshop After effects Indesign By Ferre Vander Elst and Vincent Adeyemo for the Fieldstation studio 2020 initiated by Corneel Cannaerts & Michiel Helbig at the faculty of architecture KU Leuven in Ghent. https://vincentadeyemo.com/bolt_ruin_1 Thu, 12 Aug 2021 22:05:07 +0000 Vincent Adeyemo https://vincentadeyemo.com/bolt_ruin_1 This is the artwork and visuals for the album I made for BOLT RUIN. The album consists of five artists that were provided with the song stems from BOLT RUIN's debut track. The invited artists shredded his tracks and transformed them into a whole new production, going much further than merely re-using or remixing them. In this work, I translated their destructive analog and digital sounds into an organic digital sculpture. The work resulted in a sculpture that brings six human bodies together, which disintegrates into a digital meat Frankenstein. Programs used Houdini Blender https://vincentadeyemo.com/bolt_ruin_2 Thu, 12 Aug 2021 22:17:08 +0000 Vincent Adeyemo https://vincentadeyemo.com/bolt_ruin_2 Work in progress Programs used Blender Agisoft Metashape (photogrammetry) Zbrush Lightroom Photoshop Agi Agiso https://vincentadeyemo.com/rua_da_saudade Thu, 12 Aug 2021 22:35:10 +0000 Vincent Adeyemo https://vincentadeyemo.com/rua_da_saudade My master dissertation is a journey/research inward. Being in a family scattered all over the world and with two different nationalities creates a unique family situation. A family where the distance isolates one from the other and its original cultures. Living so far apart, the memories of these people are scarce and begin to fade. Not being place-bound as a family, we never got to have a fixed place to mourn when somebody would pass away. Without this focus point, it is too hard to hang on to the thoughts of the departed in daily life. Not being able to hang on to them raises feelings of guilt and ungratefulness. Through this master dissertation, I realized that we need a fixed resting place. This place would be about bringing flux to moments of stasis. A place where we not only could be together with the departed but also give the feelings of family, 'Saudade, guilt and disconnection a controlled and fixed place in our lives. A place that is not limited by economic burdens, traditions, nor location. To anchor my memories, I constructed a mental place, which we can pull close and let go when it is needed. These moments of stasis are memorial spaces through which I tried to encounter the departed people. To encounter them in the architecture, I needed to embody them into it. The drawing became my construction site, a world without limit where the train of thought came to a halt. The drawing is the physical aid that bridges the mental and physical worlds and makes the mental tangible. Designing and drawing in this case, is a healing process that has just started. Working on it is a process to keep and conserve the memories and connections with the departed alive. By drawing and constantly switching between large-scale detailed drawings, smaller sketches, and rigorous measuring of my surroundings, I translate my thoughts, emotions, and ideas to something physical. Combining this and paying extra attention to designing physical gestures and thresholds, one can always imagine and recall this place. It allows me to embody the space and implement it back into my mind's landscape.og Agi https://vincentadeyemo.com/Untitled-Page Mon, 07 Nov 2022 22:06:41 +0000 Vincent Adeyemo https://vincentadeyemo.com/Untitled-Page https://vincentadeyemo.com/archive-1 Thu, 12 Aug 2021 22:47:48 +0000 Vincent Adeyemo https://vincentadeyemo.com/archive-1